After nearly two decades of successful detours into mature thrillers (THE GIFT, A SIMPLE PLAN) and superhero blockbusters (the Spider-Man series), director Sam Raimi returns–full tilt–to his scrappy horror roots with DRAG ME TO HELL. Alison Lohman stars as Christine Brown, a soft-spoken Southern girl with a good heart, a PhD-toting boyfriend (Justin Long), and a job as a loan officer at a bank just outside of Los Angeles. When evicting a vile and negligent old woman named Mrs. Ganush (Lorna Raver) seems to be the only way to secure an important promotion, Christine pushes her moral flexibility about as far as it can go (not very far at all) only to dearly pay the price as the recipient of a rather nasty curse. The next three days of Christine’s life amount to an unimaginable endurance test in which she is subject to physical and psychological torture while a terrifying demon draws ever closer to take her to hell, where she would burn for eternity. Raimi manages to keep the feverish awfulness of DRAG ME’s central concept palpable while layering on his distinctly disturbing and exhilaratingly kinetic macabre-meets-slapstick portraiture, and the result is an efficient celebration of the art of horror movies that’s campy, scary, and fun. Similar to HBO’s classic TALES FROM THE CRYPT series, HELL feels like a living, breathing EC comic. While it may come as a minor shock that Bruce Campbell, the beloved mouthpiece of the EVIL DEAD franchise, is nowhere to be found in this unabashed horror-comedy, Christine is an excellent twist on Raimi’s genre-hero archetype. Fans will get a kick out of seeing her inexplicably leave her gob agape as putrid projectiles pour in, and hearing her, after a bit of pushing, spout a Campbell-ism or two (”I’m gonna get me some!”)

A new era in animated storytelling begins on 9.9.09. Visionary filmmakers Tim Burton (The Corpse Bride, Charlie and The Chocolate Factory) and Timur Bekmambetov (Wanted, Nightwatch) join forces to… A new era in animated storytelling begins on 9.9.09. Visionary filmmakers Tim Burton (The Corpse Bride, Charlie and The Chocolate Factory) and Timur Bekmambetov (Wanted, Nightwatch) join forces to produce wunderkind director Shane Acker’s distinctively original and thrilling tale. 9 stars Elijah Wood, John C. Reilly, Jennifer Connelly, Martin Landau, Christopher Plummer and Crispin Glover and features the music of Danny Elfman.

When 9 (The Lord of the Ring’s Elijah Wood) first comes to life, he finds himself in a post-apocalyptic world. All humans are gone, and it is only by chance that he discovers a small community of others like him taking refuge from fearsome machines that roam the earth intent on their extinction. Despite being the neophyte of the group, 9 convinces the others that hiding will do them no good. They must take the offensive if they are to survive, and they must discover why the machines want to destroy them in the first place. As they’ll soon come to learn, the very future of civilization may depend on them.

THE NOTEBOOK’s Nick Cassavetes directs another tearjerking literary adaptation with this drama based on Jodi Picoult’s novel. Cameron Diaz takes a detour from comedy to play Sara, the domineering mother of Kate (Sofia Vassilieva, MEDIUM), a young girl with cancer. Sara’s other daughter, 11-year-old Anna (Abigail Breslin), was conceived just to serve as a donor for her sick sister. On the outskirts of the family are father Brian (Jason Patric), who feels unable to stand up to his wife’s strength, and son Jesse (Evan Ellingson), who craves attention in the face of Kate’s illness. But the complicated situation gets more difficult when Anna hires a lawyer (played by the always excellent Alec Baldwin), so that she can control her own body and say “no” to giving a kidney to her sister. Cassavetes and Picoult both traffic in tears, so MY SISTER’S KEEPER is a perfect match between director and source writer. Even the most jaded viewers will find it hard to keep their eyes dry in the face of this emotional family tragedy, so audiences are warned to have tissues parked next to their popcorn. This drama’s stellar cast also includes Thomas Dekker as Kate’s cancer-stricken love and Joan Cusack as the judge who presides over Anna’s case.

In The Taking of Pelham 1 2 3, Denzel Washington stars as New York City subway dispatcher Walter Garber, whose ordinary day is thrown into chaos by an audacious crime: the hijacking of a subway… In The Taking of Pelham 1 2 3, Denzel Washington stars as New York City subway dispatcher Walter Garber, whose ordinary day is thrown into chaos by an audacious crime: the hijacking of a subway train. John Travolta stars as Ryder, the criminal mastermind who, as leader of a highly-armed gang of four, threatens to execute the train’s passengers unless a large ransom is paid within one hour. As the tension mounts beneath his feet, Garber employs his vast knowledge of the subway system in a battle to outwit Ryder and save the hostages. But there’s one riddle Garber can’t solve: even if the thieves get the money, how can they possibly escape?

A sexy horror film with a wicked sense of humor, JENNIFER’S BODY is about small town high school student Jennifer (Megan Fox), who is possessed by a hungry demon. She transitions from being “high school evil” – gorgeous (and doesn’t she know it), stuck up and ultra-attitudinal – to the real deal: evil/evil. The glittering beauty becomes a pale and sickly creature jonesing for a meaty snack, and guys who never stood a chance with the heartless babe, take on new luster in the light of Jennifer’s insatiable appetite. Meanwhile, Jennifer’s lifelong best friend Needy (Amanda Seyfried), long relegated to living in Jennifer’s shadow, must step-up to protect the town’s young men, including her nerdy boyfriend Chip

Documentarian Seth Gordon (THE KING OF KONG: A FISTFUL OF QUARTERS) makes his feature film directorial debut with FOUR CHRISTMASES. Kate (Reese Witherspoon) and Brad (Vince Vaughn) are a happily unmarried couple who avoid spending Christmas with their families at all costs and instead travel to exotic locales. But when they find themselves fogged in at the San Francisco airport and their flight to Fiji cancelled, they have no choice but to spend the holiday with their divorced parents and the rest of their dysfunctional relatives. From his wrestling brothers and cradle-robbing mother to her oversexed grandmother and perfect sister, the couple is forced to face their worst nightmare head-on. Kate and Brad’s greatest fears are realized as their families share their most personal secrets. This film addresses broader themes of how people really know each other and the importance of connecting with family, no matter how crazy they might be. Vaughn and Witherspoon have nice chemistry as a couple that thought they had everything they wanted, improvising and playing off of each other well. Robert Duvall and Sissy Spacek appear as Brad’s parents, while Jon Voight and Mary Steenburgen play Kate’s parents. Jon Favreau and Tim McGraw are a hoot as Brad’s tormenting brothers, and Kristen Chenoweth fits the bill as Kate’s sister. Parents should be aware that the film includes adult language and themes, and some comments about Santa that may upset young children.

Inglourious Basterds begins in German-occupied France, where Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema.

Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as “The Basterds,” Raine’s squad joins German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own…

In this drama based on a true story, a high school basketball team learns about victory and defeat in the wake of Hurricane Katrina. Oscar winner Forest Whitaker leads a cast that also includes… In this drama based on a true story, a high school basketball team learns about victory and defeat in the wake of Hurricane Katrina. Oscar winner Forest Whitaker leads a cast that also includes Isaiah Washington, Taraji P. Henson, Courtney B. Vance, Lil Wayne, and Shad Moss (aka Bow Wow). HURRICANE SEASON is directed by Tim Story (BARBERSHOP)

Those prepared to hate the reboot of STAR TREK–whether they’re diehard fans or those in the anti-sci-fi camp–may be convinced to lower their shields after seeing this fun, action-filled film. Best known for creating mythology-driven series like LOST, J.J. Abrams has imbued his version with the elements that have made his shows such mind-bending entertainment while still keeping the soul of the saga intact. STAR TREK begins with an attack by an impossibly advanced Romulan ship captained by the tattooed, snarling Nero (Eric Bana). Among the survivors is the infant version of James T. Kirk (Chris Pine), who grows up to wreak havoc on the Iowa countryside. When Captain Christopher Pike (Bruce Greenwood) meets an adult Kirk, he encourages him to join Starfleet, giving him the opportunity to meet Spock (Zachary Quinto), Uhura (Zoe Saldana), and the rest of the characters audiences have loved for decades. Abrams has assembled a fine cast who seem to be aware of their predecessors but never resort to impressions. Both Quinto and Pine do a fine job with their portrayals of Kirk and Spock, and Karl Urban couldn’t be better as Leonard McCoy. The supporting players–Simon Pegg (Scotty), John Cho (Sulu), and Anton Yelchin (Chekov)–all capture the essence of what drove their characters, though their screen time is limited. STAR TREK manages the nearly impossible: it pleases hardcore fans with plenty of in-jokes and references (and an appearance by the original Spock, Leonard Nimoy), but it doesn’t alienate newcomers with tons of technobabble. The action and effects rank with any other top-tier summer blockbuster, but there’s plenty of humor to balance the excitement. For anyone who (wrongly) felt he had to hide his trekker tendencies, this undeniably cool version of STAR TREK offers a chance to wear the “geek” label with pride.

Space-time vortexes suck.

Will Ferrell stars as has-been scientist Dr. Rick Marshall, sucked into one and spat back through time. Way back. Now, Marshall has no weapons, few skills and questionable smarts to survive in an alternate universe full of marauding dinosaurs and fantastic creatures from beyond our world–a place of spectacular sights and super-scaled comedy known as the Land of the Lost.

Sucked alongside him for the adventure are crack-smart research assistant Holly (Anna Friel) and a redneck survivalist (Danny McBride) named Will. Chased by T. rex and stalked by painfully slow reptiles known as Sleestaks, Marshall, Will and Holly must rely on their only ally–a primate called Chaka (Jorma Taccone)–to navigate out of the hybrid dimension. Escape from this routine expedition gone awry and they’re heroes. Get stuck, and they’ll be permanent refugees in the Land of the Lost.

Based on the classic television series created by Sid & Marty Krofft, Land of the Lost is directed by Brad Silberling and produced by Jimmy Miller and Sid & Marty Krofft.